And this is how we danced: our mothers’
white dresses spilling from our feet, late August
turning our hands dark red. And this is how we loved:
a fifth of vodka and an afternoon in the attic, your fingers
sweeping through my hair—my hair a wildfire.
We covered our ears and your father’s tantrum turned
to heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart
there are two headless people building a burning house.
In case of rain, there was always the shotgun
above the fireplace. Always another hour to kill—only
to beg some god to return the seconds. If not the attic,
the car. If not the car, the dream. If not the boy, his clothes.
If not alive, put down the phone. Because the year
is a distance we’ve traveled in circles. Which is to say:
this is how we danced: alone in sleeping bodies.
Which is to say: this is how we loved: a knife on the tongue
turning into a tongue.
“Home Wrecker,” Ocean Vuong (via beautyisanillusion)
(Source: commovente)
Clementine von Radics (via lyrlouwho)
Game of Thrones suddenly becomes the funniest thing on TV whenever Joffrey channels Lemongrab.
Joss Whedon on the possibility of a Buffy reprisal (X)
Herbert James Draper - The Lament for Icarus (1898)
(Source: missalsfromiram)
that extra twenty minutes
to text you back,
and I’m never gonna play
hard to get
when I know your life
has been hard enough already.
When we all know everyone’s life
has been hard enough already
it’s hard to watch
the game we make of love,
like everyone’s playing checkers
with their scars,
saying checkmate
whenever they get out
without a broken heart.
Just to be clear
I don’t want to get out
without a broken heart.
I intend to leave this life
so shattered
there’s gonna have to be
a thousand separate heavens
for all of my flying parts. ❞
Andrea Gibson (via lonehands)
(Source: heart-ofastallion)
More artwork by Mary GrandPre, artist of the American Harry Potter covers.
Franz Kafka (via mercurieux)
(Source: apoemmyway)





